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基本説明
For Rossetti 1873 and 1874 were profitable years both artistically and financially. During an extended stay at Kelmscott he completed two of his finest paintings, The Bower maiden and Proserpine, and worked on his book of translations, Dante and His Circle. Among his correspondents, Burne-Jones and swinburne were replaced by younger figures such as Edmund Gosse and the diminutive solicitor and man of letters, Theodore Watts-Duncan.
Full Description
The sixth volume of Rossetti's correspondence covers a particularly energetic period of artistic activity and dealings with patrons, his new agent C.A. Howell, dealers and friends.
Rossetti's return to Kelmscott in September 1872, following his breakdown and recovery charted in volume 5, commenced a period of artistic activity which was at its most energetic in the years 1873-1874. Because of the isolationof Kelmscott, he engaged C.A. Howell as his agent, and trusted him to find new buyers and assist in negotiations with his principal patrons. A complex character who " whirled us...in a tornado of lies", he could nevertheless sellpictures, negotiate with mercurial buyers and tolerate Rossetti's peremptory ways. We are fortunate, too, in having Rossetti's letters to the demanding patron Frederick Leyland. The letters demonstrate that in Leyland, Rossettimore than met his match, but neither the friendship nor the patronage foundered.
Previously valued friends exhausted his patience: Swinburne, for example, is "the crowning nuisance of the whole world." At the same time,he unreservedly acknowledged debts and obligations, in particular to F.M. Brown and his brother William (to both of whom he owed "more in life" than to anyone else); and friends in need could always count on his generosity. WhenJames Hannay's death left his family in uncertain circumstances, Rossetti acted immediately: "I have no family of my own to provide for, & am therefore doubly bound to do what I can for an old friend's children."
Contents
Recently Located Letters, 1835-1872
The Letters, 1873-1874
Appendix 1: Rossetti's Relations with the Morrises, 1868-1875
Appendix 2: The Oil Versions of Rossetti's Proserpine
Appendix 3: Monna Innominata: Alexa Wilding