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The Old Curiosity Shop (Everyman's Library) ハードカバー – 1956/8/1

英語版 Charles Dickens (著)

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For the character of Little Nell, the beautiful child thrown into a shadowy, terrifying world, Dickens drew on a tragedy in his own life, the death at the age of seventeen of his sister-in-law Mary Hogarth. Five years later he wrote, 'the desire to be buried next her is as strong upon me now ... and I know (for I don't think there ever was love like that I bear her) that it will never diminish.'

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ISBN-10

0460001736
ISBN-13

978-0460001731
出版社

Dutton Adult
発売日

1956/8/1
言語

英語
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Charles Dickens
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出版社 ‏ : ‎ Dutton Adult (1956/8/1)
発売日 ‏ : ‎ 1956/8/1
言語 ‏ : ‎ 英語
ISBN-10 ‏ : ‎ 0460001736
ISBN-13 ‏ : ‎ 978-0460001731

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4.2 655個の評価

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ローズ・レッド

非情な魂

2002年3月4日に日本でレビュー済み

ロンドンの場末で骨董店を開いている老人トレント氏は、孫娘で両親を亡くした14歳のネルに充分な財産を残してやりたいという一心から、高利の借金をして賭博に手を出し、破産してしまう。店は悪役クウィルプに差し押さえられ、14歳のネルは祖父を連れて旅に出る。・・・
わずか14歳のネルが祖父を支えなければならない、その現実の辛さに涙が出ます。大人たちのずるがしこい策略と、ネルの純真なこころが対照的。ディケンズの時代、ネルのように非情な運命を持った子供がいたのかもしれません。

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JDM

The layout and structure of the book is excellent, would do Mr Dicken's proud.

2020年6月29日にカナダでレビュー済み

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The layout of this book and the variety of illustrations contained within make this book a keeper that will reside on my shelf for many a day and be read often. Just the feel of the book, the size, the texture of the paper shows that there was a lot of thought put into this rendition of one of Dicken's classic works. Wish all my classic books were displayed as well as this.

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FictionFan

The one with Little Nell…

2021年2月14日に英国でレビュー済み

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Nell Trent, a child of thirteen, lives with her doting grandfather in his shop where he ekes out an existence selling old and unusual items. Grandfather (he is never named) has lost both his beloved wife and their daughter, Nell’s mother, and Nell has become a substitute to him for their loss, though he also loves her for her own sake. He is worried about what might happen to her when he dies, so is determined to make lots of money so he can provide for her. But the method he chooses – gambling – soon becomes an addiction, and he gradually loses all his savings and ends up in debt to the evil dwarf, Daniel Quilp. Quilp turns Nell and her grandfather out of their home, and they must leave London and learn to make their way in a life of poverty. Grandfather is old and becoming senile, so young Nell must take on any jobs she can find, and beg for them both when work isn’t available. But Quilp isn’t finished with them yet…

This is the only one of Dickens’ novels that I hadn’t read before, so it was a real pleasure to get to know the cast of characters and follow Nell on her journeys. Unfortunately what happens to Little Nell is so well known (in case you don’t know, I won’t say) and a book I read a few years ago had also told me what happens to Quilp, so I didn’t get the joy of suspense over the main plotline. But, as usual with Dickens, there are so many sub-plots and digressions, the characters are so beautifully quirky, the settings are described so wonderfully and the language is a delight, so I didn’t feel I missed out on much.

Nell starts out rather better than a lot of Dickens’ drooping heroines. She’s a girl of spirit who loves to laugh, and who affectionately teases her only friend, young Kit, her grandfather’s assistant. She does eventually turn into the usual saccharin perfect saint, though, losing much of her initial appeal as she does. But all the worry of looking after her grandfather and herself falls on her, and Dickens allows her to have enough strength and ingenuity to carry them both through some dangerous and heart-breaking moments. She’s not quite as strong as Kickass Kate Nickleby, but she’s certainly no Drippy Dora Copperfield either! I could fully understand why people got so caught up in her story when the book was originally published in serial form although, sadly, apparently the story about people storming the docks in New York when the ship carrying the last instalment arrived is apocryphal. Grandfather is a surprisingly unattractive character who really doesn’t deserve Nell’s devotion, but in him Dickens gives a great portrayal of how addiction can destroy a man’s character and life.

The bulk of the story, however, is really about Kit, Quilp and the characters around them in London. Quilp is a sadist who delights in bullying his wife and anyone else who comes in his way. For no particular reason – Quilp doesn’t need reasons – he has taken against Kit and sets out to destroy him. But Kit is an honest, upright young boy who has the knack of winning friends who will stand by him when he needs them. When Nell leaves London with her grandfather, Kit hopes to find her one day, so he can make sure she is alright. Quilp also wants to find Nell, but for very different reasons – mostly just to be mean to her and to a young man called Dick Swiveller, who has been persuaded by Nell’s brother (oh, I forgot to mention – Nell has a ne’er-do-well brother, Fred) that he, Dick, should marry Nell, for complicated reasons. Gosh, summarising Dickens’ plots is exceptionally hard! Trust me, it all makes sense in the book! Dick is a lot of fun, constantly quoting from romantic songs of the day, and having a heart of gold under his drunken wastrel exterior.

Quilp is a great villain, without a single redeeming feature. Because he’s described as an ugly, misshapen dwarf when we first meet him, I tried to have some sympathy – to consider whether his treatment as a child may have warped his character – but honestly, he’s so vile that after a bit I couldn’t feel anything for him other than hatred and a desire to see him get his comeuppance! Sally Brass is another wonderful character. Sister to Sampson Brass, Quilp’s lawyer, she works alongside her brother and is the real force in the business. She’s mannish in her mannerisms, obnoxious, a tyrant to her little servant, and joins happily in all Quilp’s evil schemes. Sampson also goes along with Quilp, but he’s weaker than Sally and acts mostly out of fear of Quilp’s wrath.

I felt there were more signs of this one’s origins as a serial than in most of his novels. It starts off with a first-person narrator, but this is dropped after a few chapters and from there on it becomes a third-person narrative. Kit starts out as a kind of simpleton comedy character, but then turns into a fine upstanding young man with plenty of intelligence as the story develops, and Dick has a similar change of character, though less marked. And there are, unusually for Dickens, one or two loose ends, particularly one around the birth of the one of the characters. There’s a great introduction by Elizabeth M. Brennan in my Oxford World’s Classics edition, which explains how these discrepancies arose from the rushed method of writing for weekly publication and the fact that Dickens hadn’t planned out the whole story when he began to write it. Brennan also tells us that Dickens cut some passages before the serialisation was published in novel form, including the birth mystery to which I referred. It doesn’t however, explain, why Dickens chose to cut that particular scene, leaving the reader to guess from a couple of hints along the way. The cut sections are given in the appendices.

However, none of these minor flaws are enough of a problem to take away from the sheer enjoyability of watching Dickens masterfully juggle humour and pathos, horror and joy, with all of his usual skill. And, oh dear, as always there’s so much I haven’t even touched on – the travelling entertainers Nell meets with on her journey, the waxworks, the Punch and Judy men, the hellish scenes of industrialised towns, Quilp’s poor mother-in-law, Kit’s family, the delightfully obstinate pony Whisker, the prison scenes, and so much more!

I’ll have to let it settle and perhaps read it at least once more to decide where it will finally sit in my league table of Dickens’ novels. Currently, it’s in the middle – not quite up there with Bleak House, Nicholas Nickleby and so on, but not down at the bottom with poor Oliver Twist either. However, a middle-rank Dickens is still vastly better than most other books written by people unfortunate enough to not be Dickens, so that means it’s great – highly recommended!

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Amazon Customer

Nice

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Seems like a good edition; haven’t read in detail yet, but it has a copious introduction and endnotes.
The book arrived in good condition and was as shown in the picture

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JANN LEISHMAN

An oldie but a goodie

2015年6月24日にオーストラリアでレビュー済み

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This was the first time I read this book and I Ioved the way Dickens related the long tale. The story runs along at a rapid pace leaping through each event from a different character's perspective. In this way we were told the story but learned in depth about each of the main characters. I also liked the way it was infused with small wisdoms about life.

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mike t

Decent movie

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A pretty good movie. Good character study without the never ending action of today's movies. It is improved
with subtitles even for people with good hearing.

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